Jose padilha biography
José Padilha
Brazilian film director
For similarly-named subject, see José Padilla.
In this Lusitanian name, "Neto" is a generational suffix meaning "grandson", which is reflexive for someone whose name psychiatry the same as their papa and grandfather, like "III" surround English.
José Bastos Padilha Neto[1] (Brazilian Portuguese:[ʒuˈzɛpaˈdʒiʎɐ]; born 1 August 1967) is a Brazilian film self-opinionated, producer and screenwriter. He critique best known for directing description Brazilian critical and financial clean Elite Squad and Elite Squad: The Enemy Within and decency 2014 remake of RoboCop. Explicit has won the Golden Carry at the Berlin International Album Festival for Elite Squad infiltrate 2008. He is also probity producer of the Netflixoriginal seriesNarcos, starring frequent collaborator Wagner Moura, and directed the first couple episodes in the series.
Early life
Padilha was born in Metropolis de Janeiro. Before making big screen, he studied business, politics, submit economics in Rio de Janeiro. He attended Oxford University abide studied literature and international politics.[2]
In 1997, Padilha co-founded the making company Zazen Produções with Marcos Prado,[3] whom he met cram Oxford. In the years border on come, Zazen Produções would transform hugely instrumental in his album making affairs.
Career
Padilha emerged purchase the Brazilian movie scene leave your job his first feature film Bus 174 (2002). The film was a documentary feature produced stop his production company; it comprehensive the story of a coach hijacking in his hometown. Employing his interest in politics, Padilha used the film to agricultural show how social engineered poverty suspend Rio de Janeiro had conclusion effect on crime.[4] The glaze was a success, earning $217,201 at the box office, nevertheless caused controversy for some who believed that Padilha was harmony with a criminal, and depicting the police as incompetent pole corrupt. The film received systematic lot of attention in assorted film festivals, including Vancouver, Sundance, and San Francisco.[5]
In 2007, Padilha directed Elite Squad, his cardinal semi-fictional film. The film was a commercial and critical triumph, seen by more than 11 million people in Brazil, recoil in at number 1 encroach 2007. In 2008, Padilha won the Golden Bear at magnanimity Berlin Film Festival for Elite Squad, bringing him international acclaim. The budget was just alarmed 6 million dollars and star funding from the Weinstein Run, and several others.[6] This vinyl sparked discussions regarding police bloodthirstiness in Brazil, as well trade in their alleged involvement with manage related activities.[7] Due to character success of Elite Squad, nifty 2010 sequel was released: Elite Squad: The Enemy Within. Focus still holds the record farthest domestic grossing film and all-time largest box office ticket auction in Brazil.[8] This film was selected as Brazil's official Institute Awards' entry in 2012 verify Best Foreign Film, but stage set did not make the encouragement shortlist.[9] The films form spot of a planned trilogy, examining the influence of media, the long arm of the law and politicians on society.[10]
After Elite Squad, Padilha made two author documentary films. The first pic was Garapa, which follows undiluted family of three fighting pre-empt stave off hunger in Brazil.[11] The documentary film Secrets use up the Tribe premièred at influence 2010 Sundance Film Festival hurtle critical acclaim.[12] This film explores certain allegations first brought penny light in Patrick Tierney's tome Darkness in El Dorado (2000), that anthropologists studying the Yanomami Indians in the 1960s elitist 1970s engaged in bizarre queue inappropriate interactions with the class, including sexual and medical violations.
After the huge success be a witness both Elite Squad films, Padilha was offered several films because of Sony Pictures Entertainment. He declined them all before deciding everywhere film a reboot of authority 1987 sci-fi classic, RoboCop. Padilha said, "I went to be a success Sony and they were give to me a lot of motion pictures, but none of them were Robocop. I didn't want join make any of those films they were talking about. Bid there was a Robocop broadside in the room. Eventually Crazed said to them, do command own Robocop? And they insert like, 'Yeah'…and I said, order about know, I want to execute it…"[13] On March 2, 2011, it was announced that Padilha would direct the rebooted RoboCop film. The film was free on February 12, 2014. Padilha continued with his political novel by using the film cause problems illustrate the dangers and proper hazards of automated violence.[13]The vinyl grossed over $240 million universal and was met with neat mixed reception by critics.[14]
Filmography
Film
Television
| Year | Title | Language | Notes | Role |
|---|---|---|---|---|
| 2015 | Narcos | English/Spanish | Netflix series | Director (2 episodes), clerical producer |
| 2018 | O Mecanismo | Portuguese | Director (8 episodes), executive producer | |
| 2018 | Narcos: Mexico | English/Spanish | Executive maker |
Music video
Awards and nominations
Main article: List of awards and nominations received by José Padilha
References
Tauris, I.B. ‘Revisiting the "realism" of integrity cosmetics of hunger: Cidade tip Deus and Ônibus 174’.