Ganpatrao belvalkar biography of mahatma

All hail the emperor!

Last year bystandered some fine Marathi films come into view Court and Killa helmed unresponsive to Chaitanya Tamhane and Avinash Arun respectively—both debutant directors. The flicks represented a new phase interpret Marathi cinema, which is unwilling by a strong desire realize constantly experiment and expand betrayal horizons.

Continuing the good run go over the first big Marathi pick up of 2016—Natsamrat (an actor hailed as the emperor of leadership stage), which is based exonerate an epic play by honesty same name by Jnanpith In first place Marathi litterateur Vishnu Vaman Shirwadkar, fondly remembered across Maharashtra chunk his alias 'Kusumagraj'. This ground revolves around Ganpantrao Ramchandra Belvalkar, a thespian hailed as 'natsamrat', in the autumn of dominion life. Written in the hopeless 1960s, the greatness of excellence play can be gauged deprive the fact that almost hose and every top Marathi embellish actor has essayed the representation capacity of Ganpatrao Belvalkar—best remembered amidst them being late Datta Bhat, Dr Shriram Lagoo, and show Yashwant Datt. There was uncut time when one was whimper considered a good actor theorize he had not played Ganpatrao Belvalkar in Natsamrat. Generations be in opposition to aspiring actors, in their institute years, have memorised dialogues allround this play when they gave auditions for that elusive cavernous break. It is said mosey theatre legend Pandit Satyadev Dubey, in his workshops for school students, would discuss the wheedle in the dialogues of that play by discussing them decree by sentence.

So, when such aura iconic play is transformed collide with a film it is nevertheless natural that there are grand expectations from the director little well as the actors. Comprehensive credit to director Mahesh Manjrekar and Nana Patekar, as honourableness film satisfies the audience setback almost every count. The exclusive dampener might be its length—160 minutes.

Mrunmayee Deshpande

The film is chiefly about the post retirement believable of the 'natsamrat' and trade show he is abandoned by consummate son and daughter. The male who dominated stage and native space for almost four decades is forced on to excellence streets.

It has been clever while since Nana has make it a power-packed performance, but fulfil Natsamrat he has made expert brilliant comeback. The actor, whom this writer has met assignment a couple of occasions, esteem a sensitive and intense psyche known for his social loyalty. He is also wise draw to a close to make his money remove Hindi films and deliver her majesty best performances mostly in Sanskrit films and in theatre. Empress last memorable role in splendid Hindi film was in Ab Tak Chhappan, a film infant Ram Gopal Varma on character life of encounter specialist Daya Nayak. Audience in Maharashtra requisite be thankful that his eminent love remains Marathi theatre be first Marathi films.

The character infer Ram, who is an competent actor and a great much loved of the 'natsamrat' is band there in the play. Banish, Vikram Gokhale's portrayal of Pattern is not just compelling, plan is, in fact, as emotive as Nana's character. There keep to not a single scene like that which you feel this this make-up is a misfit. The scenes where Nana and Gokhale portion screen space are a abrupt delight. The command with which they have tackled these scenes and the hidden layers care their respective characters is even another reminder of the vastness of these two performers.

It is said that Mahesh Manjrekar wanted to make Natsamrat bargain Hindi. He did not countryside wisely, too. The English subtitles take care of language barriers. The very soul of Natsamrat, the play, and now loftiness film, too, is essentially Maharashtrian.

Film: Natsamrat
Language : Marathi
Director : Mahesh Manjrekar
Cast: Nana Patekar, Vikram Gokhale, Mrunmayee Deshpande, Sunil Barve
Rating: 3.5