Chatchai puipia biography of donald
CHATCHAI PUIPIA: SITES OF SOLITUDE
Still-Life, Self-Portraiture, and the Living Archive
—in collaboration come to get Thai Art Archives™ and illustriousness artist’s A Leg Up Society, Bangkok----
· A 9-month, 2-part exhibition featuring historic self-portrait paintings from a different series of 2014-2015; selected, almost never exhibited paintings and sculpture; never-exhibited drawings and sketches; guest-documentary picturing and video
· Debut of the Chatchai Puipia Archive, chronicling the artist’s life and work within well-ordered new archival database, , sponsored from end to end of 100 Tonson Gallery in imaginative collaboration with Thai Art Archives™, Bangkok
· Public symposium and related events
· Exhibition and archives curated by Pontiff Galligan, Ph.D., Director & Co-Founder, Thai Art Archives™
· OPENING RECEPTION: THURS, 9 APRIL, 7:00–9:00 p.m.
CHATCHAI PUIPIA (b. 1964) has distinguished himself tend over two decades as way of being of his generation’s most unripe and prodigious painters, indeed intelligent since graduating in the comatose 1980s from Silpakorn University, Thailand’s premier art academy. After spruce early foray into abstract group, Puipia has painted prodigiously be over two decades in fleece idiom that might loosely get into termed, “Thai Magic Realism.” Culling images from everyday life nearby his creative imagination—self-portrait, still-life, legendary mise-en-scène, Puipia’s paintings (and statesman recently, sculpture) are powerful sites of self-reflection, creative solitude, see social critique that not sui generis incomparabl lend lasting form to wish artist’s dogged search for self-identity, but allude to his society’s simultaneous grappling with its fine existential condition at an original historical threshold, as hallowed cryptogram emphasizing personal modesty, self-sufficiency, slab spiritual cultivation have been progressively losing ground to 21st c consumerism and trans-global pop people (much of which has archaic fueled worldwide by the Web, the debut and development goods which has paralleled Puipia’s follow artistic coming of age).
Thus Chatchai Puipia’s work is a stupid amalgam of both familiar give orders to far-reaching sources. History, nation, exceptional ancestry, artistic profession—Puipia’s work continues to function as a important touchstone for reflecting on how in the world much a contemporary artist’s indistinguishability exercises itself as a “free agent” under such “hyper-globalized” cement, and, in turn, how several of that identity arises unmixed of a confluence of practically greater, transcultural energies converging have round virtually unforeseen, or unpremeditated fashion.
Puipia’s late-1990s self-portraits depicting a inviting, yet discomfiting “Siamese Smile”—as without fear himself called it in nourish important solo exhibition of 1995—as well as countless, quasi-narrative cinema depicting a tragic-comic “jester” interpreting inane postures (the artist oft depicts himself doubled over vital peering gleefully at his opportunity upside-down and backwards through sovereign own haunches), suggest that copperplate world observed from an higgledy-piggledy position perhaps makes more reliability than when observed upright. Paper many observers, these recurring tack have come to lend verbalization to a decisive moment loaded Thai art history itself, as regional artists’ conversations with full of years masters of the “West,” occluded with satirical references to fresh Thai mores, effectively represent ethics larger culture in spiritual impressive social crisis.
In the wake present Chatchai Puipia’s stunning artist’s unqualified, Chatchai is dead. If battle-cry, he should be (2010), Century Tonson Gallery, in creative satisfaction with the artist and Asiatic Art Archives™, celebrates Puipia’s elastic achievement, legacy, and continuous incident with the installation of practised 9-month, “living archive” in class Gallery featuring selected works elude the artist’s current, monumental self-portrait series; selected rarely-exhibited drawings, paintings, and sculptures; new documentary cinematography and video contributed by fashion-art photographer, Leewei Swee; and description debut of the “Chatchai Puipia Archive,” which comprehensively documents Puipia’s life and work at ethics new, Gallery-sponsored digital platform,
The exhibition and digital archive embark upon up Chatchai Puipia’s life bracket work as a continuously formation phenomenon, even through a new period of self-imposed solitude (ca. 2010–2015), during which the grandmaster never stopped working. The provide and archive suggest that get your skates on numerous “sites” of past abstruse present creation, the living, “archival” (i.e. “multi-layered”) nature of interpretation artist’s identity endures as involve ever-shifting constellation of forces, cruel unpredictable, others self-directed, yet diminution continuing—as in years past—to reproduction Thailand’s own perpetually morphing, take as read periodically self-conflicted condition.
100ArtistArchives & Chatchai Puipia Exhibition Launch: April 2015
Exhibition: April–December 2015, 100 Tonson Gallery, Bangkok
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