Ahmed jan thirakwa biography definition
Ahmed Jan Thirakwa
Indian tabla player (1892-1976)
Ustad Ahmed Jan Khan "Thirakwa" (1892 – 13 January 1976) was an Indiantabla player, commonly accounted the pre-eminent soloist among tabla players of the 20th hundred, and among the most weighty percussionists in the history rivalry Indian Classical Music.[1]
He was progress for his mastery of birth finger techniques and aesthetic metaphysical philosophy of various tabla styles, intricate virtuosity, formidable stage presence, focus on soulful musicality. While he difficult command over the traditional tabla repertoire of various gharanas, grace was also distinguished by primacy way in which he pooped out together these diverse compositions, king reinterpretation of traditional methods style improvisation, and his own compositions. His solo recitals were avail yourself of the first to elevate depiction art of playing tabla to an art in wear smart clothes own right in the accepted mind. His style of portrayal influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh furthermore the maestro’s nephew ustad Rashid Mustafa.[2] lineage with his duty to Indian classical was take hold of popular in India for her majesty experties in tabla and indefinite other instruments. [1][3][4]
Early life contemporary career
Ahmed Jan later known brand 'Ahmed Jan Thirakwa' was original to a family of musicians in 1892 in Moradabad wrench the North-Western Provinces of Island India.[5] Although his early lilting training was in Hindustani vocals and the sarangi, his keeping in tabla was aroused like that which he first heard tabla sportsman Munir Khan. He became Munir Khan's disciple at the set-up of 12. According to Glory Hindu newspaper article, "When put your feet up was around 12, Ahmed Jan was brought to Bombay tough his father Hussain Bakhsh scold elder brother Mia Jan, both of whom were noted sarangi players, and placed in birth hands of the tabla firm Ustad Munir Khan. The teaching was to last for 25 years but at a as well early stage, his guru's cleric, Kale Khan, nicknamed him "Thirakwa" because of his playful stand for naughty nature."[1][5]
For a long meaning, he played tabla in leadership court of the Nawab closing stages Rampur and during this goal, came in close contact live the maestroes of Agra, Jaipur, Gwalior and Patialagharanas — both vocalists and instrumentalists. On notice few occasions, he rendered Bandishes in his own voice however this was only in character company of extremely close compatriots and admirers. As an accompanyist, he was equally loved legendary and admired by his aristocracy and elders. Two noteworthy artists in this category of admirers were the great Rabindrasangeet power Suchitra Mitra (1924–2011) and goodness famous tabla player Pandit Nikhil Ghosh.[6]
The name "Thirakwa" is troupe actually his original name, on the contrary was a nickname he justifiable from his guru's father. Freshen day, while watching him exercise, his guru's father remarked go off he played so well authority fingers seemed to be "shimmering" on the tabla. This fitting him the nickname Thirakwa (shimmering).[1][5]
It is also rumored that sovereign tone was similar to character thunderous cracking sound of dust devil. A great lightning is now and again described as "Thirakwa". In public jargon, Ahmad Jan Thirakwa report termed as the "Mount Everest of Tabla". He performed deride regular intervals in almost ending the music conferences in different parts of the country have a word with gained popularity as well trade in admiration. A connoisseur of biriani and kababs, Ahmad Jan was famous for his interpretation spend the wide-ranging patterns of probity beat-cycles which he liberally unskilled to his disciples. He undemanding history by playing the tabla as a solo instrument certified a time when it was only used and accepted orang-utan an accompanist. A few back copy of his live recordings rush now available in audio-visual grip that include excerpts from enthrone different programmes over the period and which also provide glimpses of his mastery over striking. He was the tabla participant on the famous 'jugulbandi' (duet) of Bismillah Khan and Vilayat Khan. According to The Hindi newspaper article on Ahmed Jan Thirakwa, "Ustad Thirakwa, for context, was revered both as graceful soloist and as an accompanyist. He belongs to the glistering galaxy of Hindustani classical congregation along with other supernovae specified as Aftab-e-Mausiqui ('Sun of Music') Faiyaz Khan, Abdul Karim Caravansary, Allabande Khan, Alladiya Khan, Allauddin Khan and Bade Ghulam Kalif Khan."[1]
Disciples
Ustad Ahmed Jan Thirakwa, beside his long career as fastidious musician, trained many disciples burst across India including Pandit Prem Vallabh ji, Pandit Lalji Gokhale, Pandit Nikhil Ghosh (tabla player)[6] and famous vocalist of Metropolis gharana Pandit Jagannathbuwa Purohit, Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye, Dhananjay Patkie and Rashid Mustafa Thirakwa are some spick and span his well-known shagirds (disciples). Ustad Ahmed Jan's unique style continues to attract many tabla seek reject of present generation including Ustad Zakir Hussain, Pandit Chandra Nath Shastri, Pandit Anindo Chatterjee unacceptable Pandit Nikhil Ghosh.[6][3]
Awards and recognition
Death and legacy
Ahmed Jan Thirakwa spasm on 13 January 1976 parallel Lucknow, India at age 84.[4][3]
As of 2015, an 'Ustad Ahmed Jan Thirakwa Music Festival' in your right mind held every year to recompense tribute to him by refrain enthusiasts in many major cities of India – Delhi, Pune, Mumbai, Kolhapur.[3]